Media Arts
1977 fourth quarter year to have an impact. The exhibition is Douglas? Keli Pa (Douglas
Crimp) auspices, he selected the Troy? Brown Tec (Troy Brauntuch), Jack? Goldstein (Jack
Goldstein) , Sherry? Levin, Robert? Lange and Philip? Smith (Philip Smith) works.
their works include the removal of the image from the picture. As Keli Pa said, that media art show ; our experience a large degree on the way
controlled by the pictures from newspapers and magazines in the picture, television and movies under the control of the picture. As
With these pictures, the first first-hand experience began to retreat, it is extremely trivial. picture not only has the function of interpretation of reality,
they
false. . In 1979, Keli Pa went on to explain this new
formulation. He said, relationship, but because they imitate real life and other relationships. These artists create
who are not pictures, but pictures of users. Their activities include selection and presentation of the image extracted from the large culture. significance of .1980, the Craig? Owens (Craig Owens)
developed Keli Pa the idea that the artist is subject pictures > image, it added another layer of meaning to the image. In his view, Brown Tec, Levin and Lange is through means of reproduction of the image to create the image of the artist
. crucial. In 1989, at the Whitney Museum
Gallery business information to 16 million by the bombing. It says, 1,548 seat theater will be screened Automobile Electric
video, 16,200 million TV sets will be screened at 7 hours the show will take 41 million pictures.
the next day is no doubt these numbers will grow. the vast majority of Americans, with the mass media, especially television grow from a
. They countless hours sitting in front of the TV every day, full of consciousness and its television commercials. mass media
the artist's sense of a deep imprint on the marked, as they experience a very important part of their growing years of the Cultural
.80 s is one of the art of collage features pictures, this new approach has been think of modernism and postmodernism
watershed. one of its representatives is Jasper? Johns. his image, picturesque color bronze beer cans, and
Duchamp's ready-drawn different, because Johns's image is re-produced in the production process of the artist devoted his understanding of the arts
surgery, will make an elegant art object. But the same and Duchamp's ready-drawn works of art that they produced < br> They are not reminiscent of the merchandise. Pop artists, in particular, Andy? Wohe, but also , the commodity because of his interest in them. He used the way the emphasis on commercial art
the nature of their products, emphasizing the consumption and advertising .80's use of collage artists to explain the consumer society.
John? Bald Sally (John Baldessari) and Richard? Springs (Richard Prince) was the first use of mass media images to
creation. Bald Sally creative road show from the 60's emphasis on the concept of aesthetic value He evolved into the arts such as
media art. In 1972, he began using photography in Hollywood movies still life photography synthesis.
re-creation of Hollywood still photography images, Bald Sally was not interested in Evaluation of mass culture.
his home by Swiss Linguistics Ferdinand? Germany? Saussure (Ferdinand de Saussure) theory on the impact of any sign that he would text and image as a broad
symbolic things. his work is a plane and a bird,
flying in the two photos on motorcycle, a motorcycle is allowed to enter the picture, the other one is pulled out of the screen, the bottom one can only
submarines to accommodate one person photo photos and a mermaid. He hoped that viewers passing in front of motorcycles will be flying the aircraft as sea gulls
, the submarine as the mermaid. Bald Sally in the heart of his own on the pilot, bird, biker, submarines, mermaids
interpretation of hand, but he was free to the viewer to create their own interpretation and understanding. In the late 70s,
the meaning of his pictures have more social and psychological. He said he hopes his work can be more understanding of this theory is full of paradox
, full of ambiguity can be things of the world. as his ) cut into a square by a group of black and white film photography and the static
matter constitutes a color photograph, color photographs show the broken piece of red cloth hanging in the bushes on the float. He will cut off all the screen to indicate a deeper
meaning and emotional mm seduction, sexuality, violence, bestiality, and trap. In 1986, he gave him photos figure
face painted white, black, and color of the circle, giving a color to each a symbolic value, green
that security risks red, blue, expressed the hope that yellow chaos. Bald Sally is not the first U.S. photographic image of the painting will be introduced
house painting and sculpture. In Before him, 60 years of Wohe and Rauschenberg's paintings, Edward? Lu homes (Edward Ruscha), and Wegman (Wegman) photographic prints, Ke Susi (Kosuth) concept art and New York
Man and A Kangsi (Acconci) documentary photography. However, use of mass media because of his image, he is 80 years
generation of photographers and painters, such as Richard? Prince, David? Sa Le, Sherry? Levin and Barbara? Kruger produce more
a big impact.
discuss media art, another artist to be mentioned is Richard? Springs. He began in 1977, photographs of works by
ads. advertising photos, including a valuable list, perfume and fashionable men and women models. he wants to re-media images,
because he felt . he gathered shape media images, eliminating the description of the media image of the original text, while the
give them new meaning. He stripped the image of the original meaning of media and themes, art theorists of his creative practice
referred to as the deconstruction of the media image. For example, he will model the image of the gaze direction are arranged in order to show that the consumer will be the exploitative social
purposes. He selected a single through the information, change their size, to be cut, so that they repeat or against each other
the viewers aware of the potential contained in ads mean. He let the audience know that people can do to manipulate the image to lure
or deceive the public. From this point, S & P Springs is a social critic, his main goal is to criticize the commercialization. Although
art theorists have made great contributions to the success of Prince, but their interpretation of his art is often too restrictive. he himself recognized < br> for his art should not be interpreted too theoretical. attract Prince's image is socially and culturally stylized East
West. He believes his image comes from the depths of American psychology. He the reorganization of the most famous photo series of works drawn from the cowboy of Marlboro cigarette ads
. ad is to emphasize the image of the original features of the cowboy as American-style Cumang's home
justice. Springs to Marlboro As a fictional cowboy image to show the same time, turn yourself with this mystical identification with robust
cowboy. His pictures are in fact all such men in the performance of their own identity In 1984, He
started a page number printed on the image, such as the motorized hand, and their girlfriends were, heavy metal band and play surfing
people. These images are his sub-culture magazine from the U.S. removal of The. Lisa? Phillips (Lisa Phillips) that is reminiscent of his photographs
br> Sri Lanka, said his standing posture with the sexually provocative half-naked on a motorcycle Regardless
creatures. In 1987, he turned to the same performance from the macho motorcycle car. He bought a car hood, re-paint the
It is, as it hung on the wall reliefs. car hood implied Pop Art, Art School of the simplest color
abstract sculpture and works. In 1985, Prince started to re-drawing cartoons. the ready-made re-draw cartoons, just like he
restructuring existing photos and re-paint car hood, he gives them a more powerful personality. He re-painting a large number of his favorite Whitney
? up Luo (Whitney Darrow) cartoons. In 1993, Prince painted a series of
Concept art of the late 60s and Edward
? Lu paintings of homes. just like Prince of relief, like a car hood, they are schools with the most simple and colorful abstract art of
a certain origin. He painted Although the image under the simple, but it will cause a lot of complex interpretation. His They often involve adultery: the owner of a dirty old pursuit of his rich and sexy young secretary from
for choking his wife. This is an ancient Western culture topic. critic Jerry? Saar Cha ( Jerry Saltz) that Prince
cartoon jokes to ridicule by the gloating of the attitude in society. laugh at how it made fun of women, homosexuals, drunkards,
stupid and unfortunate people. He believes that Princeton Sri Lanka real joke reveals the emotional connotations that schadenfreude and anger. He
works on modernism, photography, conceptual art and pop art have had a significant impact.
post-modernist art V Theory
John? Bald Sally, Richard? Prince and other artists not only to practice the art of Douglas? Keli Pa
and Craig? Owens interested in, but also to the 1976 Started in the formalism and modernism weapons. American postmodern art movement from the Roland? Barthes (Roland
Barthes), Derrida and Foucault, where the nutrition lessons.
formalism dominated American art in the 60's Speech when facing a strong challenge. In the 70s, it was a new generation of artists and critics
attack. in 1970, a group of radical artists, critics and historians form a new art
Association of College Art Association to combat. They claimed in a declaration against the art of the myth of neutrality. They recognized
for the imagination and social imagination in the arts have a strong link between. They oppose the arts learning and concern for other human
to separate, as opposed to merely speculative artistic goals and exploiters of the decoration. They opposed the arts learning with other
human subjects such as anthropology, history, separated, against advocates racist, patriarchal society and class structure.
their declaration that he is the climax of the anti-Vietnam War generation, and it reflects the politicization of the younger generation of scholars thought, this generation on a per
humanities theories into question. these queries, or call critical theory, can be considered 60
's legacy of radicalism, it is only retreat from political activism to academic language only. These critical theorists propose that the problem
commanded the next 15 years or even longer history of art criticism and art.
formalist critics such as Clement? Greenberg, continue to think that art work is independent , the critics should
focus of attention to form than the form and ignore the nature of the problem. Art should not be relegated to history or critical social theory
illustration only. should be concerned about the aesthetic refinement, and individual works quality. formalists condemned subject of art theory
critics, that they lack the experience of visual art and sensory sensitivity, so they set up the art of non-aesthetic
arbitrary restrictions. many forms argue that art and love by the expectations about social conditions, but the art must first be seen as the first
art. aesthetic quality does exist, it can transcend culture to appreciate; art can transcend any place and time < br> between the political and class interests, it is possible to have universal value. But the younger generation of critics and artists are not so recognized
to. They believed that art critics and art theorists can not be between bridge the differences.
art critics focus on art works within the framework of things, meaning that its form; art theorists is beyond the framework of works of art exist
attention to arts in which social, economic and political situations. art theorist special attention to class and gender, class and gender
norms that art. They believe that only by studying the situation other than aesthetics it is possible to understand art, and art is the most important
what it stands for. The representation of the image and text by complex norms. works of art was seen as a text.
art theory of multi-faceted text home to study the various implications, such as arts patron, arts patron, the Service Lee
class interests, the relationship between it and popular culture, and so on. This is art theorists in the different views raised. them from different angles,
such as Marxism, feminism, history, sociology, psychoanalysis, semiotics and linguistics, to analyze the artistic content.
but they all agree, art is essentially represents, rather than of form. In the 70's, when feminist art by development of management
, the traditional art history and criticism increasingly fierce .1975 end, when the fortress theory Greenberg, drama
of change. journal editors Max? Kozlov (Max Kozloff) and John? science Lens (John Coplans) Journal
made a series of discussions, ; the problem. Kozlov that, regardless of interpretation in the creation of art or art
is impossible to escape ideology. They advocated the history of art and the viewer and the political realities linked together
In the spring of .1976, Kozlov, science Lens and Jeremy? Gilbert - Rolfe (Jeremy Gilbert-Rolfe)
founded the revolutionary practice of the century, theoretical exploration and model of artistic creation
in a unique way of combining. It actually stood against the existing capitalist social order on the position of art institutions to the existing
challenge and aesthetic theory. It satiation Journal
board with mechanical medium. They are a group of the wave
Shemya Greenwich Village artists, belonging to the American middle class, not looking forward to the prospect of a revolution, but they are stirring unease experienced anti-
the Vietnam War, 1968 years of student unrest and Watergate, but a group advocating the radical rhetoric of the bourgeois liberals only.
they all existing institutions and ideas are skeptical. Arts
surgery theory formalism, that formalism too far, the art of words no longer help the United States. Rosa Linde? Klaus
(Rosalind Krauss) and Annette? Mitchell Song (Annette Michelson) found a selective ideology
state instead of formalism, that the fashionable post-modernism and post-Marxist framework. they are from the French theorists, in particular, analyzed the number and symbol
language the ideology of literature and literary criticism could receive theoretical implications of Derrida's source.
literary critics began to cast doubt on the existing views, they do not agree with some of the most basic meaning of the word, such as ; culture Germany (Edward W. Said) by
think, the old areas of knowledge have lost their authority. The concept of literature itself is degraded, and the same, film, media, pop culture, music and visual art into the once sacrosanct areas of literary texts.
the third world literary recognition, recognition of the African American and feminist works, not just the text of a Eurocentric.
The editors feel that they are in the same position with the literary theorist. In an editorial in 1981, Mitch
Gilson writes that the magazine is in a difficult time surviving, standardized modern magazine theory, form, scope and practice
is causing a great moment of doubt survive. basic aesthetic terms, such as decentralization, that is, get rid of any hint or suggest that center or hierarchy
things. They condemned the modern art in the mainstream of Western culture or ideology, condemned the culture of Western culture in the world, accounting for a dominant position
. They also denied any parent or person, such as the genius of the leading role. concern is marginal, marginal figures,
oppressed, create a deconstruction of Derrida, from
I component of language and society, and language restrictions. Everything is a text in the text is not nothing come
outside the West. but the language and its core is unstable , because anything that means (such as a symbolic interpretation of
things are infinite. Therefore, Derrida that language is symbolic of what the role of continuous uninterrupted, and this action can not be made into any coherent
or objective truth. its lack of ultimate meaning, or meaning to be forever delayed.
given text is unstable, not only because language is unstable, but also because they contain differences. The main purpose of deconstruction is to find a text
The conflicting assumptions, the premise and self-deceptive to display the text does not necessarily contain the meaning it thinks should contain.
In fact, the text of the meaning hidden or repressed, and it often shows the meaning of the surface to the contrary.'s
responsibility of deconstruction is to dig out the implications of these marginal to. In the past, training students to ignore the contradictions in Literature, Yin Hui, and what is not clear
neglected incoherent things. is no longer the case. deconstruction shaded contradictions those exposed, and that the text should all be responsible
. deconstructionist reveals dubious assumptions commonly used method is to find a text in a related
Key words, and then it with a second place, the dual word or relatively marginal, or non-centralized in order to achieve reversal of the word
purposes. The goal is to prove that binary words or marginal more meaningful, or at least between a set of non-stable relationship
. In a word the edge toward the center of the process, deconstruction are the implications of this work will claim it is < br> the opposite of the meaning of the claims, or at least it claims is the meaning of the problem. For example, the is the key, then the deconstructionists would say, copying is also as important with the
. If we say that painting is unique, and photography is copied, is a mechanical reproduction of art, as if the painting is considered a
is the main art, deconstructionist will be replaced by reversing the major art of photography. all existing assumptions can
to be reversed. as in the visual arts, the visual representation of the text above, or high spatial in the films of.
surgery deconstruction theorist, claims Arts in visual arts an important position in the text, put forward the concept of art so reasonable.
They also reversed the relationship between space and the films will be films of high in the space of, so, in the visual arts to create a culture, literary figure, because of its literary image of arbitrarily to as the center of his personality, history, fun and passion as the center
. of a work of interpretation is always from the body to look, as if the total Only one voice is the same, which is the author's voice
. Barthes is a group of literary text that is a multi-dimensional space, in this space, writing a series of non-
same (they are not unique a) blend and conflict with each other. writer's role is to enter this space, has been disposed of out of school
had something about them polished. is no longer the original work of art and unique, but other text comment This text
. In this sense, of a (David Lodge) starting from the deconstruction that, there is no such thing of
, there is no one who can create the novel. Each text is the product of other texts, other texts of the
extract. no source, only the products that people use language to create What? what I feel? I like
how to build the world? parents, the capitalist entrepreneur, God or people of authority, and declared them all dead. criticized the role of non-
longer explanation, but the interpretation of the text. If you ignore an author or an artist's desire, if a the meaning of the text can never be sure
, always numerous interpretation, then, to explain how a text? who last to explain it?
answered by the reader (or viewer) to decide. Balter said , the role of the reader's creative high, and reduce the role of creativity. deconstruction will replace the reader of the reader is
Postmodernism words appear in the construction started, quickly injected into the
literary, social and psychological analysis. the one hand, critics of postmodernism after the structure absorbed the Marxist literary theory; in another aspect
, it contains information about post-industrial society from the evolution of industrial society, social theory, including from the post-modernism is
on behalf of the Marxist theory of cultural evolution. literary theory and sociology theory was soon linked with a .
Harvard School cultural critic Professor of American Civilization Jacob? Boke Albion (Jacob Bercovitch) will be Through this system a culture of legal status to enable themselves to continue their own; it
is a rhetoric, ritual, and assumption of network and through this network, community coercion, persuasion, and cohesion. br> or image, such as class, gender and race is the concept of social organizations such as the mass media to build the fictional things, its purpose is to maintain the status quo
. These imaginary things are generally considered to be the natural order, at least be considered what is socially accepted. and art theorist trying to deconstruct the existing social order reproduce itself
way. Their aim is to reveal its artificial rather than natural architecture that is controlled by the ruling class institutions and the social means of communication will
formation and make it permanent.
the young intellectuals as the anti-Vietnam war demonstrations and student unrest of 1968, drastic changes occur. These events prompted the 70
development of literary theory. doctrine after the framework is happiness and disappointment, liberation and loungers, carnival, and disaster
difficult to blend with the product. because people found it impossible to change the structure of state power, it managed to reverse the structure of language.
light of scholars naturally embraced deconstruction. in the Vietnam War and Watergate, they were often deceived by the official rhetoric,
they will naturally go beyond pondering the meaning of words. literary and art criticism of the doctrine after the framework for the young scholars
is attractive because it provides a fresh approach to open vast new areas of research and discussion. through the deconstruction of the Words can be very exciting.
deconstruction theory of young scholars, as readers of the identity or artists to raise and beyond. After the structure and doctrine to provide to the existing challenges of the old-fashioned thinking of the theory and
methods. marginalize the middle of deconstruction concerns play into the hands of young scholars, because they are in academia is
marginalized. the political left has empathy for other marginalized groups, such as women, people of color, gay persons, etc..
magazine to promote the 60's artists, including Robert? History
density Johnson (Robert Smithson), Robert? ink Reese, Carl? Andre (Carl Andre), Richard? Sierra (Richard
Serra) , Sol? Leavitt (Sol LeWitt), Vito? A Kangsi (Vito Acconci), John Adams? Hack (Hans Haacke)
and Daniel? Brent (Daniel Buren); 80's artists, including Sherry? Levin, Robert? Lange, Cindy? homes
Herman and Louise? Lawler (Louise Lawler). its value: originality, uniqueness, authenticity, autonomy, integrity, and aesthetic quality of transcendence. From 1977
to 1981, Water? Benjamin (Water Benjamin) 1936 years of article ; 2. technological revolution,
the optical mechanical reproduction. These two advances will greatly affect the artistic concept. In his view, the artist as a genius
, creating unique works of art people thinking out of date; on originality, genius, eternal value and the secret thoughts of God
also out of date. For example, copy the > all the more desire to see the original product and courtesy. copies of the original product does not lose value, but enhance its aura. Therefore,
more copies, ring the more stronger. Benjamin will copy the idea to expand to photography. In his view, because a picture can
mechanically reproduced, no photo can be considered an original, unique or credible. Benjamin became
idol. The reason why they appeal to him is that he focused on photography, photography is
mechanical reproduction of art, it is the appropriate medium of contemporary culture. It replaced the painting, the painting as an asset Benjamin < br> class stuff. Benjamin was the first criticism from a sociological point of view of modernism, he would link reform of photography and art
up, provides a mechanical reproduction of the theory. mechanical reproduction of art from the traditional get out, it would be placed in the Film photography is more than the rest of the powerful propaganda weapon.
painting must be cleaned. However, the painting has not only been cleaned, but to develop .1979
, the Whitney Museum, br> painting exhibition. art critic Barbara? Rose rise to defend the painting. Her style nowadays are disappointed that they're gone
into a dead end. a style is looking back in an attempt to return to now. ..
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